Last updated  9th January 2012. 

                                                                                                                                                                                                                              St Bartholomew‘s dates from the mid 12th Centuary. This can be deduced from the fine drum­shaped font with its rope­moulding, scrolls and long­ribbed leaves, the dog­toothed, rounded Norman arch over the South doorway and some Norman masonry. The original church was much smaller, the tower at the West end and the Chancel at the East being added later.

Sadly most of the pre­I9th Century features disappeaed during heavy "restoration" in 1818 and again in 1905 when the chancel was entirely rebuilt. Those who have survived are three massive oak tie­beams in the roof, the jambs of a blocked window in the South wall of the nave and some Jacobean panels incorporated into the pulpit and choir stalls. A photograph taken in 1905, before the restoration, shows thickly plastered walls and ceiling, box pews and a west­end gallery. It is possible that the rounded plastered chancel arch covers the remains of a Norman one underneath.

The heraldic lozenge over the vestry door is the hatchment of Edmund Meysey­Wigley. M.P. for Worcester (d. 1821). It was he who financed the building of the tower in 1818. This replaced a timbered bell­turret similar to that of Mamble. Two further hatchments, both from Shakenhurst Hall, are temporily displayed on the West Wall. The belfry houses four bells. The earliest is the treble, 15th C., and is inscribed with the words. "SANCTA NECOLAEORAPRONOBIS" ­ "Saint Nicholas pray for us". The other three are of the l7th C. There is a "scratch" sun­dial on the South wall of the tower

Is there any church in Worcestershire in a finer setting than Bayton? The view when you stand beside the tower is superb, a sweeping, unspoilt panorama streaching down to the Rhea Valley and then up to the Clee Hills and the Welsh Hills beyond. The slender spire of Cleobury Church rises from a fold in the hills and there are glimpses of the 16th Century Rhea Manor and the 18th Century elegance of Glebe House, Mawley Hall and Shakenhurst. The churchyard itself is beautiful and peaceful; one feels that Thomas Gray should have written his elegy here rather than at Stoke Poges!

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