I have one last painting from our visit to the French riviera. ‘La joie de vivre’ 1946. Picasso had escaped from the darkness of a post war Paris to Antibes. Here like so many artists he found a new lease of life and renewed creativity that produced great works in both painting and ceramics.The painting is a scene taken from Greek mythology and portrays a mythological garden of Eden in which nymphs and fauns frolic. In the centre of this garden is Picasso’s Eve, his new lover Francoise Gilot, beside her Picasso places himself, depicted as a Centaur, half animal half man, serenading the beautiful Gilot. Two ‘Kids’, literally baby goats, play beside them, (Gilot was soon to become pregnant).Behind them on a clear blue sea is a boat, representing their escape from the darkness of war. They have arrived in a world coming into being after the destruction of the past five years. The French artist, poet and dramatist Antonin Artaud captures in verse this post war world in words that echo the images of Picasso.“We are not yet born, we are not yet in the world, there isn’t yet a world, things have not been made, the reason for being has not yet been found.” Antonin Artaud 1946A new world announcedAlthough Picasso's vision is taken from Greek mythology, not Christian iconology, it speaks of a primordial longing for a new, reborn world. This is the message of Jesus to the disciples at a confusing time, he is about to leave them, but they are not to despair because the way is being prepared for the arrival of something ‘yet to come’ John 16:13. We might call this time of preparation the ‘In between’ times as we await the arrival of God’s kingdom in all its fullness and glory. To help us to prepare we have the light of the Holy Spirit who gives us a vision of what is promised.The Spirit of Truth: Like the bright light, and blue seas of the Mediterranean, captured in Picasso’s ‘Joie de vivre’, the Holy Spirit brings the light of another world to us. John speaks to us, in his gospel, of Jesus as the ‘true light that gives light of every man’, and now Jesus makes it clear to the disciples that this light is to continue the work he has begun. “He will testify about me” John 15: 26. This the light of Christ sent into the world both ‘to guide us into all Truth’A Person and a Promise: Picasso, escaped the darkness and like many other artists ran towards the sun finding new life. The Holy Spirit has the same effect on people, some will welcome and embrace Jesus as Lord and Saviour, but others will prefer to live in the dark. Like every light the Holy Spirit illuminates as well as exposes darkness.A new world: Picasso imagined a new world, or a world restored to its classical past. The vision shared by Jesus with his disciples, is not of the past, but a world renewed where peace is made possible by forgiveness, where barriers are broken down and fellowship made possible by his reconciling love, where there is no condemnation because judgement has been passed on the prince of this world.Picasso donated all the paintings and ceramics of these productive years to the Musée Grimaldi, now renamed Musée Picasso in Antibes to be shared with the world.The Holy Spirit is sent into the world to bring new life, to stir up the gifts and graces given to us that we might share our light with the world. This new world must be announced in every community so that we can all get a vision of what is to come.Rev. Simon Brignall
RogationIn the UK at this time of year, spring we relive the experience of our rural ancestors. Rogation, a time when the Farming community traditionally walked the boundaries of their land and prayed for the crops that they had planted. During this annual ritual they would often set up or renew the boundary stones that marked off their land. But Rogation also marks a bridge in the seasons. As we move into Summer and the fields and hedgerows turn green, the flowers bloom, and the weather, we hope, begins to get warmer we feel the urge to get out and explore our world. These markers reminded our ancient forebears of the thin veil between the natural world and the spiritual world. The turning seasons brought them close to the mystery of life and they set up great monuments like Stonehenge to welcome the coming of new life into the world. Though most of us no longer live as close to nature as they did, we still wonder at the miracle of nature, and we can echo the words of Gerard Manley Hopkins, who wrote ‘The world is charged with the grandeur of God’ The natural world is, perhaps, the place where most of us encounter for the first time the mystery of life. It is the place we meet with God. In the beauty of a sunset or the delicacy of a flower, the joy of new birth, or the grief of death we wonder at the mystery of the universe. Such moments of ‘Encounter’ can become ‘Sacred spaces’ when the veil between heaven and earth becomes thin. Sacred SpaceChagall captures this mystery in a painting called ‘Sacred Space’. in it he depicts a place where heaven meets earth and where we connect with the past and future. The painting, in a series telling the story of the Jewish people, Jacob, the father of the 12 tribes of Israel, falls asleep at a place called Bethel, (later Bethlehem), his head lying on a pillow of stone. He is fleeing from Esau, his brother from whom he has stolen the family inheritance. During the night he has a dream of angels ascending and descending a ladder. In the morning, as he awakes, he knows that this place is Holy, and so he takes his stone pillow and builds an altar. A place where he can recall his encounter with the Divine. Like the boundary stones, and monuments set up by our ancestors, the stone marks a place that links Jacob across the generations and reminds him of the encounter with God through the thin veil that separates us from the angels. The stone pillow becomes for Jacob not only a boundary stone marking the place that will one day be his inheritance, but as Chagall portrays it, a bridge back to his ancestors from whom he has inherited this place, and forwards to his descendents who will be the inheritors of this place. Notice how he places, once again, the crucified Christ, who is to be born in Bethlehem in the far right hand top corner of the painting. The story of Jacob’s ladder is one of the moments in the history of the Jewish people that Chagall wanted to capture because it speaks of God’s faithfulness through the generations, through suffering and death to deliverance and freedom. The Christian cross describes a ‘Sacred Space’,Chagall's painting also follows a cruciform pattern. He shows us in the vertical plane our relationship with God and in the horizontal plane our relationship with the world around us which we have inherited from our ancestors, and will pass on to our descendents. In both encounters there are both boundaries that tell us about our inheritance and remind us of our sacred duty to pass on that inheritance unviolated, and bridges that invite us to explore. Let us first explore some of the bridges that Jesus talks about. The Horizontal plane“Remain in my love”: John 15: 9-17. As Jesus describes the relationship between himself and his disciples he talks in terms of a ‘Love’ that is a bridge to God and to others. He calls us to leave behind fear and doubt. He invites us to explore and enter into the new world of God’s Kingdom, On the altar of love we are also to stop and examine ourselves and our relationships with others before God. The Vertical“I no longer call you servants” Jesus also describes a ‘Love’ that breaks down barriers. Servants serve their masters out of fear, but Jesus invites us to step out in faith and enjoy a new relationship with The God of love who calls us friends. Here we are free to explore a new world of possibilities. “The Father will give you whatever you ask in my name.” God’s love, then, makes prayer possible as we are invited to break through that ‘thin veil’ that separates us from God’s Kingdom and claim His promises. The Sacred“If anyone does not remain in me, he is like a branch that is thrown away” Some markers are there to speak of Holy places, they mark exclusion zones that we must respect. These holy places could in modern Safeguarding parlance be called ‘Safe Spaces’ are there to protect us and others from potential dangers. It is significant that the ‘marker’ that Jesus sets up here is not a series of rules but our treatment of the ‘other’. “My command is this: love each other”.John 15:12 Here is a clear marker, it sets a limit to the way we are to treat each other and indeed the world around us. We are to respect and cherish God’s creation as we respect and cherish ourselves. If we cross this boundary, Jesus warns, we are cut off from the life of God and will wither and die. Love is then, like Jacob’s pillow, both a boundary and a bridge, inviting us to leave behind fear and doubt and explore God’s kingdom. But we also called to remember the boundaries of love that God has established, boundaries that protect the ‘sacred space’ we all inhabit. A prayer for peace in the Holy land.O God of all justice and peace we cry out to you in the midst of the pain and traumaof violence and fear which prevails in the Holy Land.Be with those who need you in these days of suffering; we pray for people of all faiths – Jews, Muslims and Christians and for all people of the land.While we pray to you, O Lord, for an end to violence and the establishment of peace,we also call for you to bring justice and equity to the peoples.Guide us into your kingdom where all people are treated with dignity and honour as your children for, to all of us, you are our Heavenly Father.In Jesus’ name we pray. Amen. Rev. Simon Brignall.
An actor is giving readings from his favourite works, as an encore an elderly Priest asks him to recite the lines of Psalm 23, this he agrees to if the Priest will follow him with his own recital. The actor stands and gives a beautiful rendition of the psalm; it is received with great applause. Then the Priest stands and in a faltering voice recites the psalm, there is a hushed silence in the audience and a few tears. The actor stands and turns to the Priest and says: “Ladies and gentlemen, I hope you realise what has happened tonight. I know the words to the psalm, but this Priest knows the Shepherd”. But what does it mean to know the Shepherd? The Resurrection. Marc ChagallMarc Chagall painted a series of works, telling the story of the Bible, between 1937 and 1948. In 1963 he donated these works to the French state and in 1973 a gallery was opened in Nice to house them. Last week Clare and I visited this wonderful gallery, designed as a house and set in a beautiful park. The paintings tell the story of humanity, but if you look in the corners of these paintings you will see another story, that of the ‘Suffering Jew’. Chagall was of course conscious during these years of the holocaust taking place across Europe. It was a holocaust that had a long history. To tell this story, Chagall’s home town of Vitebsk, which had suffered in the pogroms of the 19th century, often features in the paintings. Most surprisingly there is almost always a crucified Christ figure somewhere. Chagall, an orthodox Jew explained that for him Christ is the ‘suffering Jew’. But for Chagall Christ is not only the crucified, but the resurrected Jew. Here we find Jesus rising up and walking away from the cross. We see the village Vitbebst in the background, and scenes of war and revolution, but front and centre is the risen Christ who brings, in the next painting of this series, liberation. The Sheep and the Shepherd: So what is it to know the Shepherd? Is it not to know Him as an animal knows its master, to trust and believe in the promise of new life beyond suffering and pain. Maybe the best way to understand this is to think back to the days when we were learning French. I remember being drilled in the difference between the verb Connaitre and the verb Savoir; to know a person and to know a ‘thing’. We know God as a person though we may not understand a thing about Him. The focus of Jesus’ words is on our relationship with God, not what we can know about Him. It is, for those who have faith in the resurrected Christ, a relationship of love, trust and commitment, that takes us through the valley of the shadow of death and leads us to the quiet pastures. The shepherd’s voice: It is significant that Chagall always depicts Christ as a Jew, wearing the shawl that would cover the men’s heads in the synagogue. In Christ he recognises the story of the Jewish people. He identifies with the Christ on the cross and he trusts in the resurrected Christ. This is a relationship built on an intimate knowledge of the shepherd, the very tone of his voice. The shepherd’s way: In the midst of war Chagall is able to paint ‘Resurrection’ because he trusted a God who could overcome evil and darkness and lead his people to a new land. It is often pointed out that in the Middle East shepherds lead their sheep, they do not drive them. Though they do not know where he will lead them they have learnt to trust him. To know God then, Jesus says, is to recognise in Him, as the sheep do, as the one who gives life. ‘Those who come to me will be saved’ The shepherd’s love: As we read the story of the Jewish people in the scriptures we will recognise a Christ figure in all the stories, a king, a prophet or a priest who prefigures Christ. Chagall saw this and when he painted the Christ he was making a statement about the Jewish people. In his suffering he sees their suffering, in his resurrection he sees their resurrection. The Christ figure tells the story of the Jewish people. A shepherd too will know each of his sheep, he will recognise their strengths and weaknesses, he will know their history, and to him each one is special, valued and precious in his sight. How extraordinary, that we should be loved by the unknowable God, and yet we know that this is true because we see in Jesus the crucified and resurrected Christ ‘The Good Shepherd who lay down his life for the sheep’ A journey of faith: Chagall drew on the imagery of the sheep and its shepherd. In nearly all of this series there is somewhere in the background a sheep. He recognised that our relationship to God is like that between a shepherd and his sheep. In his paintings we discover the mystery of a God, unknowable yet known in the Christ figure by those who put their faith in Him. A relationship that makes knowing God a reality for us, His sheep. A prayer for peace in the Holy land.O God of all justice and peace we cry out to you in the midst of the pain and traumaof violence and fear which prevails in the Holy Land.Be with those who need you in these days of suffering; we pray for people of all faiths – Jews, Muslims and Christians and for all people of the land.While we pray to you, O Lord, for an end to violence and the establishment of peace,we also call for you to bring justice and equity to the peoples.Guide us into your kingdom where all people are treated with dignity and honour as your children for, to all of us, you are our Heavenly Father.In Jesus’ name we pray. Amen. Rev Simon BrignallI am contactable from Thursday to Sunday.
The story of Easter contains all the details of the TV reality shows we love to watch, the story of the builder, the gardener and the cook. Together they give us a portrait of Jesus, the master craftsman who has come to rebuild God’s temple, the gardener who comes to replant God’s creation and, and the cook who gathers us together around his table in a new community.Jesus the builder: John’s gospel reminds us that the resurrection took place on the first day of the week, the day in which the creation story tells us that the 'Word' went out into the chaos of space and built a universe.Today we shout ‘Alleluia, Christ is risen’ to celebrate his victory over darkness and destruction. We celebrate the rebuilding of God’s world.‘Destroy this temple and in three days I will rebuild it’ Jesus said to the High Priest. He said this,' notes John, ‘not referring to the temple but his own body’. John 2: 19. Today we share in the work of rebuilding creation!Jesus, the gardener. John’s account tells us of Mary Magdalene who comes across a man she takes to be the gardener. It is, but not the gardener she imagines, instead the master gardener! The one who walked in the garden with Adam and Eve, and so like the first Eve she is to be the mother of the new people of God.It is Mary, the penitent and broken woman who is invited to be part of the replanting and repopulation of the world. Just as it is the penitent and broken of the world who are to be God's new family.Restored and forgiven, they know they are much loved.Today we shout 'Alleluia, Christ is risen' to celebrate the new life that springs up in us and around us in God’s new world.Jesus, the cook. Many of the stories of the resurrection centre around the meals the risen Jesus shared with his disciples, reminding us of the new community he has come to gather together around his table. Jesus is not just the cook but the host of this meal. Indeed he is the one who feeds us with his own body and blood in the sacrament for the work to be done. Today we shout ‘Alleluia, Christ is risen’ to celebrate the restoration of communion with God and man through the broken body of Christ.The reality of Easter: the Easter message is sometimes understood to be a bit like the ‘make over’ on reality TV. We throw out the old and bring in the new. In fact it's more like the 'Repair shop' The message of Easter is more like the restoration of a beloved old clock. God comes, in Jesus Christ, to restore His broken creation, not to destroy it but to restore it to its former glory.Today we shout ‘Alleluia, Christ is risen’ because he invites us to share in recreating his world. We are to be his builders, his gardeners, his cooks, to share in the work of rebuilding, replanting and restoring 'community' in his world.The good news is that we do not have to throw away the old and start again, instead we work together with Christ, the one through whom the universe was created to make it new again. The people of God are reborn, and the creation restored to a renewed communion with our maker.
