Spem in Alium - the 40 voice spectacular

for 1 hour, 15 mins
The Temple Church, London
The Temple Church, Temple, London, EC4Y 1BB, United Kingdom

The Temple Singers
Thomas Allery, conductor

Thomas Tallis’s monumental motet Spem in alium nunquam habui praeter in te, Deus Israel (I have never placed my hope in any other but in You, O God of Israel) stands as one of the most extraordinary achievements in choral music. Rarely performed, it is a breathtaking feat of contrapuntal imagination, conceived for an astonishing forty independent vocal lines arranged into eight choirs of five voices each.

Composed around 1572–73, Spem in alium is believed to have been first performed at Nonsuch Palace, the Earl of Arundel’s summer residence, whose octagonal hall and surrounding balconies likely inspired Tallis’s bold spatial design. The music unfolds as sound travels through space - surging from choir to choir, surrounding the listener in waves of resonance. Towering passages for all forty voices alternate with intimate exchanges among smaller groups, while musical ideas leap across the ensemble.

The result is a profoundly immersive, almost architectural experience: a living sculpture of sound that envelops both ear and imagination.

This concert is supported by a consortium of donors, and is given to mark the retirement of The Revd Robin Griffith-Jones, Master of Temple Church.

Full Programme

Josquin des Prez (c.1450-1521): Qui Habitat (24 voices) 6'00"
Gabriel Jackson (1962-): Cecila Virgo (24 voices) 8'00"
John Tavener (1944-2013): Hymn to the Mother of God (12 voices) 2'30"
Charles Villiers Stanford (1852-1924): Latin Magnificat in B flat, Op 164 (8 voices) 11'00"
David Bednall (1979-): Lux Orta est Iusto (40 voices) 8'00"
Eric Whitacre (1970-): Lux Aurumque (8 voices) 4'00"
Andrea Gabrieli (1533-1585): Maria stabat ad monumentum (6 voices) 5'00"
John Taverner (1490-1545): Dum transisset Sabbatum (6 voices) 8'00"
Thomas Tallis (c.1505-1585): Spem in Alium (40 voices) 9'00"

More info

The Temple Church, London

Welcome to the prayerful and beautiful Temple Church, steeped in the history of Christendom, this country and the whole Common Law World. 1162: the Round Church was built to be London’s Jerusalem. 1214–19: Magna Carta was negotiated in the Temple, and its greatest hero was buried in the Church. 1584, 1776, 1787: from Raleigh’s expeditions through the colonial constitutions to the American Declaration of Independence and Constitution, the Temple was the birthplace of American Law. And to this day the Church serves the legal colleges Inner and Middle Temple, London’s residents, visiting jurists and travellers from all over the world with some of the most uplifting services, music and discussions in London.

How can so ancient a building be equipped to serve the modern age in prayer and praise and engagement with the socio-legal challenges facing Britain and the wider world? Through Restoration & Renewal: Equipping the Temple Church for the next 100 Years, a major programme of refurbishment and repair, energised and supported by The Friends of the Temple Church.

Robin Griffith-Jones Master of the Temple
Mark Hatcher Reader of the Temple

gallery image gallery image

Get in touch

What's on

Spem in Alium - the 40 voice spectacular

for 1 hour, 15 mins
The Temple Church, London
The Temple Church, Temple, London, EC4Y 1BB, United Kingdom

The Temple Singers
Thomas Allery, conductor

Thomas Tallis’s monumental motet Spem in alium nunquam habui praeter in te, Deus Israel (I have never placed my hope in any other but in You, O God of Israel) stands as one of the most extraordinary achievements in choral music. Rarely performed, it is a breathtaking feat of contrapuntal imagination, conceived for an astonishing forty independent vocal lines arranged into eight choirs of five voices each.

Composed around 1572–73, Spem in alium is believed to have been first performed at Nonsuch Palace, the Earl of Arundel’s summer residence, whose octagonal hall and surrounding balconies likely inspired Tallis’s bold spatial design. The music unfolds as sound travels through space - surging from choir to choir, surrounding the listener in waves of resonance. Towering passages for all forty voices alternate with intimate exchanges among smaller groups, while musical ideas leap across the ensemble.

The result is a profoundly immersive, almost architectural experience: a living sculpture of sound that envelops both ear and imagination.

This concert is supported by a consortium of donors, and is given to mark the retirement of The Revd Robin Griffith-Jones, Master of Temple Church.

Full Programme

Josquin des Prez (c.1450-1521): Qui Habitat (24 voices) 6'00"
Gabriel Jackson (1962-): Cecila Virgo (24 voices) 8'00"
John Tavener (1944-2013): Hymn to the Mother of God (12 voices) 2'30"
Charles Villiers Stanford (1852-1924): Latin Magnificat in B flat, Op 164 (8 voices) 11'00"
David Bednall (1979-): Lux Orta est Iusto (40 voices) 8'00"
Eric Whitacre (1970-): Lux Aurumque (8 voices) 4'00"
Andrea Gabrieli (1533-1585): Maria stabat ad monumentum (6 voices) 5'00"
John Taverner (1490-1545): Dum transisset Sabbatum (6 voices) 8'00"
Thomas Tallis (c.1505-1585): Spem in Alium (40 voices) 9'00"

More info

Safeguarding

The care and protection of children, young people and vulnerable adults who are involved in Church activities is the responsibility of the whole Church. Everyone who participates in the life of the Church has a role to play in promoting a Safer Church for all.This Safeguarding Policy is based on the Safeguarding Policy Statement of the Church of England that was agreed and published by the House of Bishops in 2017. It sets out the Safeguarding Policy of the Diocese of London and in particular a summary of the roles and responsibilities of all church bodies and office holders as we work together to protect children, young people and vulnerable adults who are involved in church activities.

This policy makes six overarching policy commitments:

To promote a safer environment and culture
To enable and ensure safe recruitment practice and to support all those within the Church with any responsibility related to children, young people, and vulnerable adults
To respond promptly to every safeguarding concern or allegation
To offer pastoral care to victims/survivors of abuse and other affected persons
To offer pastoral care to those who are the subject of concerns or allegations of abuse and other affected persons
To respond to those who may pose a present risk to others.

https://www.templechurch.com/application/files/7216/2074/0149/Temple_Church_Safeguarding_Policy_revi

The Temple Church, London Charity No. 1205712